Ata Kak

2016 - 2018

"I wanted to open up people's minds and make them see that these sounds - Hiplife, semi-rap, West African tape culture - are still possible. They can still be heard, still be performed and still be connected here with us."

What happens when you put a legendary Ghanaian dance-rap icon and a fearless global selector together? Esa certainly found out when, together with the man behind Awesome Tapes of Africa, he convinced the purposely perplexing Ata Kak to go on tour with him after a 25-year hiatus. And so, in his bid to unearth the crossover musical enigma that is Burger-Highlife - made famous by Ata Kak and friends in 1980s Germany - as well as build his own bridges between his African roots and Western home, Esa put together an equally hard-to-define band. Across three years of touring, their dexterous fusion of highlife, Twi-language rap, funk, hip-hop and electronica earned them their place on some iconic stages including a packed-out show at Glastonbury’s West Holts Stage in 2017.

"Brian [of Awesome Tapes from Africa] approached me and was like 'Yo, after eight years of searching, I've found Ata Kak. Is this something that you'd be interested in?' The project came at the right moment. I was going through a lot of personal things, challenges back home, and also ending off certain relationships. It allowed me to channel all these different energies into one thing. It was almost a rite of passage, something I had to do to find my place as an African DJ and producer in a Western world. I wanted to open up people's minds and make them see that these sounds - Hiplife, semi-rap, West African tape culture - are still possible. They can still be heard, still be performed, and still be connected here with us."

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